Uncertainties in the Algorithmic Image

Rosemary Lee

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Abstrakt

The incorporation of algorithmic procedures into the automation of image production has been gradual, but has reached critical mass over the past century, especially with the advent of photography, the introduction of digital computers and the use of artificial intelligence (AI) and machine learning (ML). Due to the increasingly significant influence algorithmic processes have on visual media, there has been an expansion of the possibilities as to how images may behave, and a consequent struggle to define them. This algorithmic turn highlights inner tensions within existing notions of the image, namely raising questions regarding the autonomy of machines, author- and viewer- ship, and the veracity of representations. In this sense, algorithmic images hover uncertainly between human and machine as producers and interpreters of visual information, between representational and non-representational, and between visible surface and the processes behind it. This paper gives an introduction to fundamental internal discrepancies which arise within algorithmically produced images, examined through a selection of relevant artistic examples. Focusing on the theme of uncertainty, this investigation considers how algorithmic images contain aspects which conflict with the certitude of computation, and how this contributes to a difficulty in defining images.
OriginalsprogEngelsk
TidsskriftJournal of Science and Technology of the Arts (CITAR)
Vol/bind11
Udgave nummer2
DOI
StatusUdgivet - 29 dec. 2019
BegivenhedConference on Computation, Communication, Aesthetics & X (xCoAx) - Fabbrica del Vapore, Milan, Italien
Varighed: 3 jul. 20195 jul. 2019
Konferencens nummer: 7
http://2019.xcoax.org

Konference

KonferenceConference on Computation, Communication, Aesthetics & X (xCoAx)
Nummer7
LokationFabbrica del Vapore
Land/OmrådeItalien
ByMilan
Periode03/07/201905/07/2019
Internetadresse

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  • Aesthetics of Uncertainty

    Lee, R., 9 okt. 2019, Proceedings of the Conference on Computation, Communication, Aesthetics & X. Universidade de Porto, Portugal, Bind 7. s. 256-262 6 s.

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