Abstract
Soundscape studies typically distinguish between three sources of sound: biophony, sounds produced by animals, plants, and other biological entities; geophony, sounds produced by non-living features such as water or wind; and anthrophony, sounds produced by humans and human technology. Recent developments in the study of hybrid ecosystems and ecological robotics challenge these categorizations. A series of four soundscape interventions are considered, which lead to the proposal of a new category: robophony. These interventions — robots and autonomous digital agents — operate in feedback loops with the existing bio-, geo-, and anthrophony in the ecosystem. The properties that emerge from these cases: site specificity, hybrid sourcing, and layered temporality form the basis of this new category of sound in the soundscape.
| Original language | English |
|---|---|
| Title of host publication | Proceedings of RE:SOUND 2019 |
| Number of pages | 10 |
| Publisher | British Computer Society |
| Publication date | May 2020 |
| Edition | 8 |
| Pages | 243-252 |
| Article number | 243 |
| DOIs | |
| Publication status | Published - May 2020 |
| Event | International Conference on Media Art, Science, and Technology - Aalborg University, Aalborg , Denmark Duration: 20 Aug 2020 → 23 Aug 2020 Conference number: 8th |
Conference
| Conference | International Conference on Media Art, Science, and Technology |
|---|---|
| Number | 8th |
| Location | Aalborg University |
| Country/Territory | Denmark |
| City | Aalborg |
| Period | 20/08/2020 → 23/08/2020 |
Keywords
- Soundscape Studies
- Biophony
- Geophony
- Anthrophony
- Robophony
- Hybrid Ecosystems
- Ecological Robotics
- Sound Interventions
- Site Specificity
- Layered Temporality
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