Abstract
Soundscape studies typically distinguish between three sources of sound: biophony, sounds produced by animals, plants, and other biological entities; geophony, sounds produced by non-living features such as water or wind; and anthrophony, sounds produced by humans and human technology. Recent developments in the study of hybrid ecosystems and ecological robotics challenge these categorizations. A series of four soundscape interventions are considered, which lead to the proposal of a new category: robophony. These interventions — robots and autonomous digital agents — operate in feedback loops with the existing bio-, geo-, and anthrophony in the ecosystem. The properties that emerge from these cases: site specificity, hybrid sourcing, and layered temporality form the basis of this new category of sound in the soundscape.
Original language | English |
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Title of host publication | Proceedings of RE:SOUND 2019 |
Number of pages | 10 |
Publisher | British Computer Society |
Publication date | May 2020 |
Edition | 8 |
Pages | 243-252 |
Article number | 243 |
DOIs | |
Publication status | Published - May 2020 |
Keywords
- Soundscape Studies
- Biophony
- Geophony
- Anthrophony
- Robophony
- Hybrid Ecosystems
- Ecological Robotics
- Sound Interventions
- Site Specificity
- Layered Temporality