Abstract
The creative process with technology requires experimentation, exploring affordances and limitations, and evaluation of one's process of different learning stages. Movement-based digital musical instruments (MDMIs) offer many opportunities to study performers' creative processes since performers can artistically explore both the familiar and unfamiliar interactions with the instruments. In this research, we integrate creative process as a qualitative evaluation method into studying performers' interactions. While these processes are often non-linear and iterative, we observe how creativity, through sonic and movement interaction, impacts participants' learning processes. We study these processes with participants from music and/or dance dance backgrounds and report on their experiences.
| Original language | English |
|---|---|
| Title of host publication | Proceedings of the International Conference on New Interfaces for Musical Expression |
| Publisher | ZENODO |
| Publication date | 8 Oct 2024 |
| Pages | 1-9 |
| DOIs | |
| Publication status | Published - 8 Oct 2024 |
| Event | International Conference on New Interfaces for Musical Expression - Utrecht, Netherlands Duration: 2 Sept 2024 → 6 Sept 2024 https://nime.org/web_archive/2024/ |
Conference
| Conference | International Conference on New Interfaces for Musical Expression |
|---|---|
| Country/Territory | Netherlands |
| City | Utrecht |
| Period | 02/09/2024 → 06/09/2024 |
| Internet address |
Keywords
- Creative practice
- Aesthetics-based evaluation
- Movement-based musical instruments
- Embodied interaction
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